Curso: Soundscape & Geography As Sources For Live Electronic Composition- Del 22 de marzo del 2014 al 17 de marzo del 2014

Veinty Carlos
17 mar 2014
3 Min. de lectura

Actualizado: 2 sept 2024

Lugar:

Fecha: del 17 al 22 de marzo de 2014

Hora: 10h a 18h

Cuota de recuperación: $3,000

Cupo limitado: 6 personas

Este curso será impartido en inglés

Para inscribirse o solicitar información mandar un email a: silvana@cmmas.org

(Nota: si se toma el ciclo completo, es decir, los tres cursos, la cuota de recuperación será de $3000. Se ofrecerán 2 becas del 50% ($1500 totales) a quienes envíen una carta de motivos antes del 21 de febrero, para realizar el ciclo completo. No hay becas para cursos individuales).

Impartido por: Erick Spangler (EUA), Jason Sloan (EUA), Rodrigo Sigal (México), Jose Luis Nava (México), Felipe Orduña (México)

Equipo recomendado :

Audífonos, computadora laptop con el software Ableton instalado (bajar la versión gratuita de 30 días en ableton.com), algún controlador midi.

Además de las computadoras, se invita a traer instrumentos musicales para la presentación final.

Temática del curso.

Durante esta semana Jason Sloan y Erik Spangler, miembros de la facultad de Arte-sonido del Maryland Institute College of Art (MICA), dirigirán talleres en fonografía (acústica ecológica y grabación de campo), música concreta e improvisaciones grupales utilizando recursos gráficos. Se llevará a cabo una documentación en audio y video del área local para luego incorporarlo en una pieza multimedia colaborativa, para ser presentada en el CMMAS en viernes 21de marzo a las 8pm y en el MICA en Estados Unidos.

Dicho curso busca generar enlaces de intercambio ya que participarán alumnos del Maryland Institute College of Art.

Schedule

Friday, 3/14

Depart MICA for BWI airport; fly directly to Morelia, Mexico. Upon arrival, attend concert, meet CMMAS staff and musicians for dinner.

Monday, 3/17

[MICA students only, at Jason Sloan and Erik Spangler’s accommodations]

10 AM - 6 PM: Soundscape research, getting to know the local geography and history of Morelia, gathering video footage with cell phones to be mixed live in the performance.

-dinner-

9 PM: Sound documentary screening [TBA] at MICA faculty accommodations

Tuesday, 3/18

10:00 - 11:00 Introduction to CMMAS [Rodrigo Sigal]

11:00 - 12:00 Phonography & Field Recording [Jason Sloan]

-lunch-

1:00 - 2:00 Phonography & Field Recording - continued [Erik Spangler]

2:00 - 4:00 Excursion- recording sounds around Morelia

4:00 - 6:00 Discussion of the Morelia soundscape; organizing and editing recorded sounds

-dinner-

9:00 Sound documentary screening [TBA] at MICA faculty accommodations

Wednesday, 3/19

10:00 - 11:00 History and Aesthetics of Musique Concréte [Jason Sloan]

11:00 - 12:00 Found-Sound Editing and Sampling Techniques in Ableton Live [Erik Spangler]

-lunch-

1:00 - 3:30 Science of Sound: Physics and Perception [Felipe Orduña Bustamante]

3:30 - 6:00 Individual consultations with Erik Spangler and Jason Sloan; independent work time with recorded audio- creating virtual instruments based in Ableton Live’s Sampler, Drum Rack, Granulator

-dinner-

9:00 Sound documentary screening [TBA]

Thursday, 3/20

10:00 - 12:00: Organizing Sound Materials For Performance [Erik Spangler & Jason Sloan]

-lunch-

1:00 - 2:00 Discussion of recent work [Jose Luis García Nava]

2:00 - 4:00 Individual consultations with Erik Spangler and Jason Sloan; independent work time- creating a flexible performance setup; MIDI-mapping control of audio clips, virtual instruments and effects

4:00 - 6:00 Graphic Notation & Video As Musical Score [Erik Spangler & Jason Sloan]

-dinner-

9:00 Sound documentary screening [TBA]

Friday, 3/21

10:00 - 12:00 Group improvisation exercises; discussion of the video score for full group performance

-lunch-

1:00 - 3:00 Trio/quartet rehearsals for performance

3:00 - 5:00 Full group rehearsal for performance

-dinner-

7:00 Sound check

8:00 Performance: electro-acoustic trio/quartet improvisations, full group performance of video-based graphic score

Saturday, 3/22