Lugar:
"Composing Interactive Multimedia" se impartirá en las instalaciones del CMMAS durante 5 semanas, del 28 de junio al 30 de julio. Los estudiantes tendrán la oportunidad de aprender conceptos y técnicas de interactividad, producción multimedia y composición con sistemas interactivos.Este curso será dictado en inglés, por lo cual se espera que los participantes tengan un nivel medio-avanzado. Se ofrecerá una beca especial para particpantes con nacionalidad mexicana.
Ver convocatoria completa:http://composinginteractivemultimedia.org/
Course Description:Monday through Thursday a morning session and afternoon session taught by one or all of the instructors with Friday’s open for private meetings. For the 30-day participants, the 16 sessions will be followed with two weeks of primate lessons rotating between the instructors with a concert presentation of a work created in residence. For the 15-day participant, the sequence ends with a presentation of a short work created in residency.ScheduleWeek 1June 28:10 am :: Everything, Everywhere, Now: Principles of multimedia composition and models of interactivity (Ueno, Patton, Montoya)2:30 pm :: The Perfect Sound: Non Real Time Audio Editing with Pro Tools (Patton)June 29:10 am :: Aspectual Hearing: Music as A Manifold Experience (Ueno)2:30 pm :: Making a Camera See or How to Build a Frame with light: Introduction to digital video recording and Final Cut Pro 101 (Montoya)June 30:10 am :: Sounding the Eye: Video editing for Aural Concepts (Montoya)2:30 pm :: How to make anything happen: Introduction to Max/MSP (Patton)July 1:10 am :: Structural Listening to Noise (Ueno)2:30 pm :: The Magic of the ReadyMade: some Max/MSP Standalones (Patton)Week 2July 5:10 am :: Cartography for Composers: Mapping Interactive Systems (Ueno, Patton, Montoya)2:30 pm :: An Eye for Interactivity: Jitter Essentials (Montoya)July 6:10 am :: There is More Than One Way to Skin a Cat: Jitter 201 (Montoya)2:30 pm :: Faster Pussycat: Some Jitter Standalones (Patton)July 7:10 am :: Audiovision: Integrating the ReadyMade systems (Ueno, Montoya, Patton)2:30 pm :: Frequency-based Harmonic Thinking (Ueno)July 8:10 am :: All Day Open Studio:Projects and Trouble ShootingWeek 3July 12:10 am :: Concert of Work to Date and Critique: Presentation of Short Works and Works in ProgressJuly 13-15 Field Trip to Mexico D.F.For the remainder of the program, the 30-day participants will meet privately with each of the faculty in rotation (and by request).July 16:10 am :: Everything, Everywhere, Now: Principles of multimedia composition and models of interactivity (Ueno, Patton, Montoya)2:30 pm :: The Perfect Sound: Non Real Time Audio with Pro Tools (Patton)Week 4July 19:10 am :: Aspectual Hearing: Music as A Manifold Experience (Ueno)(Ueno)2:30 pm :: Making a Camera See or How to Build a Frame with light: Introduction to digital video recording and Final Cut Pro 101 (Montoya)July 20:10 am :: Sounding the Eye: Video editing for Aural Concepts (Montoya)2:30 pm ::How to make anything happen: Introduction to Max/MSP (Patton)July 21:10 am :: Theater in Music (Ueno)2:30 pm :: The Magic of the ReadyMade: Max/MSP stand alones (Patton)July 22:10 am :: Cartography for Composers: Mapping Interactive Systems (Ueno, Patton, Montoya)2:30 pm ::An Eye for Interactivity: Jitter Essentials (Montoya)Week 5July 26:10 am :: There is More Than One Way to Skin a Cat: Jitter 201 (Montoya)2:30 pm :: Faster Pussycat: Special Effects with Jitter (Patton)July 27:10 am :: AudioVision: Integrating the ReadyMade systems (Ueno, Montoya, Patton)2:30 pm :: Topics: 21st century frequency-based harmonic approaches in theorchestral work of Professor Ueno.July 28:10 am :: All Day Open Studio: Projects and Trouble ShootingJuly 29:10 am :: Presentation of Short WorksJuly 30:8 pm :: Concert of long works
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