Concierto: Pre-Visiones Sonoras. INEX.MATERIA - Datum cut

INEX.MATERIA is an audiovisual performance that probes the themes of ephemerality and obsolescence. Sound and image combine the post-digital with the analog, aiming to transcend the boundaries between the visual and the auditory. Analog video synthesis and stop-motion animations are blended together through digital transformations to create an ethereal performance that aims to underline the impermanence and obsolescence of our bodies and their connection to nature and technology.

DATUM CUT is the stage moniker for Tiohtià:ke/Mooniyang/Montréal-based artist Maxime Corbeil-Perron, whose practice unfolds in a multiplicity of mediums: audiovisual performance, experimental cinema, electroacoustic composition, improvisation, sound art and installation. Through an approach related to media archaeology, his current works seek to establish relationships between obsolete media and contemporary technologies in search of new aesthetic possibilities. As a composer, his work was awarded an honorific mention in digital music and sound art at Prix Ars Electronica (Austria, 2021). As a director, he received the best experimental animation award at the Ann Arbor Film Festival (2021), and an honorable mentions from Vienna Shorts (Austria, 2024). His work was featured in hundreds of international events such as L.E.V. (ES), INTONAL (SE), Mutek (CA, ES), Dresden Filmfest (DE), VIDEOEX (CH), Festival du Nouveau Cinéma (CA), Set Fest (IR). His work was exhibited in places such as Currents New Media (USA), Intermediale (PL), LABoral (ES) and FIMAV (CA). He was artist-in-residence at EMS Stockholm (Sweden, 2018), Signal Culture (USA, 2017, 2019), the Société des Arts Technologiques (Canada, 2019), Vidéographe (Canada, 2021), VIDEOFORMES (France, 2023), Recto-Verso (Canada, 2023) and WERKTANK (Belgium, 2023, 2024).